I work in the liminal space between painting and sculpture while exploring issues surrounding plastic waste. I use discarded and recycled storage bins, lids, tupperware etc. as molds to create multiple casts from. I think of the casts, which are cast from marble powder & dry pigment, as urban fossils - future trace evidence of our 21st century throwaway culture. 

Plastics dictate a certain kind of serial formatting to me such as grids, stacks, sequences etc and so this is often how I assemble my work. These formats directly reference how plastics are designed, shipped and displayed, while also suggesting mass-production and minimalist art. 


Often the casts are made on top of a temporary floor that is later picked up and incorporated into the installation. I'm interested in incorporating the floor as a component of the larger body of work because of how it records the marks, spills and pours of studio process, preserving the studio history and the act of casting. 

 

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